الفنان |
بيتر بول روبنس
(١٥٧٧–١٦٤٠) |
|
أسماء أخرى |
Rubens, Pierre Paul Rubens, Pieter Paul Rubens, Sir Peter Paul Rubens |
الوصف |
painter
، sculptor
، draughtsman
وprintmaker
فلمنكي |
تاريخ الميلاد/الوفاة |
٢٨ يونيو ١٥٧٧ |
٣٠ مايو ١٦٤٠ |
مكان الميلاد/الوفاة |
زيغن |
أنتويرب |
فترة العمل |
القرن 16 date QS:P,+1550-00-00T00:00:00Z/7 |
مكان العمل |
أنتويرب (1589-1600), منتوة (٩ مايو ١٦٠٠-1608), إسبانيا (1603), أنتويرب (1608-1640), هولندا (1612), باريس (٢٣ مايو ١٦٢٣-٢٩ يونيو ١٦٢٣, ٤ فبراير ١٦٢٥-٩ يونيو ١٦٢٥), كاليه (نوفمبر ١٦٢٦), باريس (ديسمبر ١٦٢٦), مدينة بروكسل (1627), هولندا (١٠ يوليو ١٦٢٧-٦ أغسطس ١٦٢٧), إسبانيا (٢٦ أغسطس ١٦٢٨-٢٩ أبريل ١٦٢٩), لندن (١٨ مايو ١٦٢٩-٢٣ مارس ١٦٣٠), مدينة بروكسل (1631), هولندا (نوفمبر ١٦٣١), Affligem (سبتمبر ١٦٣٤) |
ملف الضبط الاستنادي |
|
artist QS:P170,Q5599 تفاصيلُ عن الفنَّان من مَشرُوع غوغل للفنون |
|
التاريخ |
بين ١٦١٤ – ١٦١٦ date QS:P571,+1614-00-00T00:00:00Z/8,P1319,+1614-00-00T00:00:00Z/9,P1326,+1616-00-00T00:00:00Z/9,P1480,Q5727902 |
خامة العمل |
زيت على قماش medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 زيت على قماشmedium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
تاريخ الغرض |
Sir Dudley Carleton, 1st viscount Dorchester [1573-1632], English Ambassador to The Hague, who acquired the painting in 1618 from the artist in an exchange for antique sculpture; presented to Charles I, King of England [1600-1649], between c. 1625 and 1632, where it hung in the Bear Gallery at Whitehall;[1] James Hamilton-Douglas, 1st duke of Hamilton [1606-1649], Hamilton Palace, Scotland, by 1643; by descent in his family to William Alexander Louis Stephen Hamilton-Douglas, 12th duke of Hamilton [1845-1895], Hamilton Palace; (first Hamilton Palace sale, Christie, Manson & Woods, London, 19 June 1882, no. 80); purchased by Duncan for Christopher Beckett Denison; (his sale, Christie, Manson & Woods, London, 13 June 1885, no. 925); purchased by Jamieson for the 12th duke of Hamilton; by inheritance to his kinsman, Alfred Douglas Hamilton-Douglas, 13th duke of Hamilton [1862-1940], Hamilton Palace; (second Hamilton Palace sale, Christie, Manson & Woods, London, 6-7 November 1919, 1st day, no. 57); purchased by Kearley for Weetman Dickinson Pearson, 1st viscount Cowdray [1856-1927], Cowdray Park, Midhurst, Sussex; by inheritance to his son, Weetman Harold Miller Pearson, 2nd viscount Cowdray [1882-1933], Cowdray Park; by inheritance to his son, Weetman John Churchill Pearson, 3rd viscount Cowdray [1910-1995], Cowdray Park; (sale, Bonham's, London, 1 August 1963, no. 25, listed as by Jordaens and De Vos by Bonham's cataloguer, Mr. Lawson); withdrawn and sold by private treaty before the auction to (Julius H. Weitzner [1896-1986], New York); (M. Knoedler & Co., New York); sold 13 December 1965 to NGA.
- ↑ See Oliver Millar, The Tudor, Stuart and Early Georgian Pictures in the Collection of Her Majesty the Queen, London, 1963: 16. According to the Van der Doort inventory of circa 1639 (Oliver Millar, ed., Abraham van der Doort's Catalogue of the Collections of Charles I [The Walpole Society 37], Glasgow, 1960:, 4), the picture was given "by the deceased Lord Dorchester" (Sir Dudley Carleton died on 5 February 1632). The painting is not mentioned in an inventory made of Prince Charles' paintings collection around 1623/1624 (see Claude Phillips, The Picture Gallery of Charles I, London, 1896: 24).
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